The Master

Taku Higano: Calligrapher, Third Generation of Garyukai

Born in 1964 in Utsunomiya, Tochigi, Taku Higano grew up surrounded by the scent of sumi ink and took up the brush in early childhood. As the third-generation head of Garyukai and representative director of Garyukai Co., Ltd., he leads the institute while pursuing his own practice as an artist. He specialises in the ancient scripts, seal (tensho) and clerical (reisho), grounding each work in the etymology of characters from oracle-bone forms to the present, with deliberate philological and formal intent. A member of Nitten and standing director of the Yomiuri Shohokai, he has also served as auditor of the All-Japan Calligraphers Federation and deputy secretary-general of the Kenshin Shodokai, and teaches at Saitama Gakuen University. Beyond his own work, through lectures and commissioned pieces and performances for companies, he carries the calligraphy of Garyukai, now in its ninth decade, to the next generation and into wider society.

Member, NittenStanding Director, Yomiuri ShohokaiAuditor, All-Japan Calligraphers FederationDeputy Secretary-General, Kenshin ShodokaiLecturer, Saitama Gakuen University

「Calligraphy is my life's work — the very root of living. Take it away, and nothing would remain.」


The Garyukai Lineage

First generation

Higano Tōka

Founded Garyukai on 11 February 1940 to advance the study and teaching of calligraphy, and launched the monthly journal Garyu. In 1947 he took part in forming the Tochigi Prefectural Calligraphy Federation — its founding meeting was held at the Garyukai headquarters — and served as its first vice-president, laying the foundations of calligraphic culture in Tochigi.

Second generation

Higano Hiroshi

President of Garyukai. He carried the Garyu journal to become one of Japan's longest-running competitive calligraphy monthlies (past its 1,850th issue) and led the 80th and 85th anniversaries, growing Garyukai into the prefecture's largest calligraphy society, with some 130 chapters and around 2,000 members.

Third generation

Taku Higano

Representative director of Garyukai Co., Ltd. and third-generation head. A specialist in the ancient seal and clerical scripts; member of Nitten and standing director of the Yomiuri Shohokai. Beyond his own art, he brings Garyukai's calligraphy to society through commissions, performances and talks.


Read Taku Higano's words in the Journal

Taku Higano: A Life Given to the Brush
Interview

Taku Higano: A Life Given to the Brush

Taku Higano is the third-generation head of Garyukai, a Japanese calligraphy institute now in its ninth decade. A specialist in seal and clerical script, he speaks here of his path — and of what calligraphy truly is.

'Skilled' vs. 'Good': What Truly Makes Calligraphy Move Us
Essay

'Skilled' vs. 'Good': What Truly Makes Calligraphy Move Us

A 'good' hand is not the same as a 'skilled' one. It is the interplay of skill and beauty: even an unpolished hand can be beautiful when it lays the self utterly bare.

Seal & Clerical Script: The Allure of Japan's Ancient Characters
Craft

Seal & Clerical Script: The Allure of Japan's Ancient Characters

Seal and clerical script — the ancient characters — are old in age yet carry something contemporary. The form of a character at its birth is profoundly mysterious, and endlessly compelling.

How to Become a Calligrapher: What It Means to Live by the Brush
Interview

How to Become a Calligrapher: What It Means to Live by the Brush

There is no licence to become a calligrapher; if you wish to, you may begin at any time. But to teach others, you must keep learning yourself — that alone is indispensable.

What Is Shodo? How It Differs from Penmanship and Calligraphy
Primer

What Is Shodo? How It Differs from Penmanship and Calligraphy

Shodo is “the art of expressing yourself with the brush.” Taku Higano of Garyukai explains what sets it apart from penmanship and Western calligraphy.

Where Kanji Come From: The World of Pictographs
Primer

Where Kanji Come From: The World of Pictographs

Kanji began as pictographs — the sun, the moon, mountains and rivers traced in line. How they multiplied, and grew into the five scripts.

The Five Scripts: Seal, Clerical, Standard, Semi-cursive, Cursive
Primer

The Five Scripts: Seal, Clerical, Standard, Semi-cursive, Cursive

Kanji have five scripts, from the ancient seal script to standard, semi-cursive and cursive — including the surprising order in which they were born.

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